Tag Archives: DiLutis

Until Next Year

2014-08-07What a whirlwind of a conference! With a record of more than 1400 registrants, this has been said to be the largest ClarinetFest to date. Bravo to Mr. Robert DiLutis and his team on an extremely successful conference, and bravo for choosing such a relevant topic. With workshops on navigating social media, marketing, and creating your own business along with traditional classes on reeds, masterclasses, and excerpts, clarinetists were given a wealth of information to help make them more well-rounded and prepared professionals of today. In today’s musical marketplace, musicians are not only expected to play styles from jazz to classical, but they must be able to create a concert series, build an audience, and function as an educator in order to remain relevant. Does this seem daunting? Of course it does, but none of these things in and of themselves are impossible, it’s about finding your voice, and with the tools from this year’s ClarinetFest, young and established professionals alike are more prepared for the changing face of our field.
All that being said, in addition to navigating a “business model,” we have to have the goods. The best marketing strategy, most inventive ideas, and attractive personalities are meaningless if you do not have the artistic skills and technique as a foundation for your musical endeavors. With inspiring concerts and recitals throughout each day and closing each evening, we were constantly reminded of the fierce dedication we must have to our craft and the level of excellence we must strive for.
For more details about entrepreneurship and the world of clarinet, search this blog. Each blog is tagged with topics such as entrepreneurship, bass clarinet, jazz, the names of specific artists performing and presenting, etc. See you at ClarinetFest 2015 in Madrid, Spain hosted by Pedro Rubio and Justo Sanz!

–Notes by Melissa Morales
Melissa Morales is a master’s student at DePaul University studying with Julie DeRoche and Larry Combs. She currently teaches at The People’s Music School and performs witThe Candid Concert Opera’s Orchestra Nova and the Chicago Symphonic Winds.


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Filed under Day 5, Uncategorized

Buffet Crampon Gala Concert

10556216_857259564285448_2699921473091380692_n[2]On the final evening at ClarinetFest 2014, we enjoyed incredible works for clarinet and orchestra.  Alcides Rodriguez and Gabor Varga give a jovial opening to the concert playing Krommer’s Concerto for Two Clarinets and Orchestra, Op. 35.  With bubbling lines and a beautiful blend, the duo played with poise and grace. The two clarinetists displayed great sensitivity to throughout the second movement, playing with great control and intonation over a subdued Baton Rouge Symphony Orchestra.

Following was Ralph Skiano with his poignant interpretation of Debussy’s Premiere Rhapsodie.  The clarinet weaved its way in and around the orchestra with incredible ease, wafting through elongated phrases and impish flourishes.  In these moments the interplay between soloist and and the orchestra’s principal winds was delightful, particularly with the oboist.

Taking the stage, Greg Raden performed Weber’s Concerto No. 1.  His first note stilled the room with his pure sound floating high above the orchestra.  The third movement was lively with delicate inflections and a variety of colors which made for a lovely contrast between themes.

Antonio Saiote gave a lively performance of Canongia’s Clarinet Concert No. 3 in E-flat.  With wild technical demands, Saiote took command of the stage and played with abandon.  Taking some artistic license, his virtuosic performance of Canongia’s work was a memorable performance from the night.

In a last-minute change of performers, Robert DiLutis took the stage instead of the programmed David Drosinos to perform Ben-Haim’s Pastoral Variee for Clarinet, Harp and Strings.  A consummate professional and profound musician, none would have assumed he was not the originally programmed artist.  In many respects, it was the most impressive performance of the evening.

A full, lush string section cued the start of Mozart’s Clarinet Concerto, and the final piece of the evening. Paul Cigan delivered an inspiring performance of our cornerstone work.  His pianos seemed to draw you in, peering into intimate moments of repose.

–Notes by Melissa Morales
Melissa Morales is a master’s student at DePaul University studying with Julie DeRoche and Larry Combs.  She currently teaches at The People’s Music School and performs with The Candid Concert Opera’s Orchestra Nova and the Chicago Symphonic Winds.

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Filed under Day 4, Evening Concert, Performances