Lagniappe Recital: DeBoer-Oberlander-Lacaille

Matthew Nelson

Matthew Nelson

The Lagniappe Recital in Shaver Theatre Sunday at 12:00 featured new music for the clarinet. Andrew DeBoer opened with Nikola Resanovic’s Sonata for B-flat Clarinet and Piano, a bluesy but modern work featuring everything from glissandos to flutter tonguing to sections that sounded like Baltic folk music. The piece is in four movements that blend together: “I. For the Money… II. To Go… III. To get Ready… and IV. Go Cat, Go!” DeBoer’s playing was clean, controlled and thoughtful.

Next, Lisa Oberlander performed Roger Zare’s Nocture étincelant and James Primosch’s Times Like These. Oberlander executed the soaring melodies and gentle chalumeau passages in the first work effortlessly. The second piece called for several adjustments to the piano including wrapping a piece of felt around two strings to achieve a wood block sound and wrapping a paper clip around another string. At times throughout the piece, pianist Tatiana Muzanova placed fingers on strings to bring out the harmonics. She also created an odd effect by pedaling slightly after playing a chord, which caught some of the notes and harmonics but not all. The duo played expressively to make for a successful pairing of works.

Maryanne Lacaille performed Nikola Resanovic’s Alt.Music.Ballistix next. A wild piece with prerecorded sound effects that were broadcast in stereo in the theater — including a fax machine, a dial tone, a car crash, a typewriter, a dial-up modem login, drums, a tambourine, an accordion, and an automated voice asking the caller to enter a password and the pound sign — accompanied Lacaille as she laid out several complicated passages on her clarinet. The vibrant music seemed to match the purple patent loafers she wore, and the LSU bell tower chiming the time in the distance during a pause in the music created a surreal effect.

Matthew Nelson and Vanguel Tangarov closed the recital with Bruce Quaglia’s After Milton: Three Vignettes for B-flat Clarinet and Bojidar Abrashev’s Recitative and Burlesque, respectively. The performers executed both very demanding pieces with great skill and musicianship, especially in regards to the delicate high notes at soft dynamics in each one. Audience members took away from this concert excellent additions to their lists of performance repertoire and a refreshed inspiration to pursue new works for our instrument.

–Notes by Alaina Pritz
Alaina Pritz is a recent graduate from The University of Maryland and currently plays with The United State Air Force Band – Band of the Golden West.

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Filed under Day 5, Lagniappe Recital, Performances

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