Both clarinet choirs in Sunday morning’s 8:00 a.m. Shaver Theatre performance played admirably. The Texas A&M University – Kingsville Clarinet Choir featured several lively pieces with solid solos in Everett Gates’s Seasonal Sketches by the principal clarinetist, and a beautiful feature of the front row later on. The TAMU-K Choir was professional in every aspect, down to the coordinated lifting of their instruments before beginning to play each piece. With a wide repertoire prepared, they continued with solid renditions of Bruce Ronkin’s Episode for Clarinets, Maria Theresia von Paradis’s Sicilienne, and Paul Harvey’s Jollipop. The 17 talented young clarinetists showed exuberance in their playing and demeanor, putting the fun back into clarinet choir.
The Clarinet Madness Choir represented a refreshing group of 10 adult clarinetists, also running the gamut of repertoire with a wide variety of pieces. All three performed Sunday morning — William F. Funk’s Grenadille du Trisque, Henry Tucker and Louis Lambillote’s Fantasia on Two Songs: Sweet Genevieve and On This Day O Beautiful Mother, and an arrangement by Jack Knowles of Rossini’s The Barber of Seville — were written specifically for the Clarinet Madness Choir. The first piece featured both the first clarinetist and the E-flat clarinetist in solos and a charming duet. The highlight of the recital, however, was The Barber of Seville, a work frequently arranged for clarinet choir. The Clarinet Madness Choir took the piece at a lively tempo and maintained the energy for the duration of the work. A technically challenging piece to tackle, The Clarinet Madness Choir handled it well, finishing the recital with a bang.
–Notes by Alaina Pritz
Alaina Pritz is a recent graduate from The University of Maryland and currently plays with The United State Air Force Band – Band of the Golden West.